Review: ‘The 355’ is Another Box Office Dud For the Sisterhood Action Subgenre

While male buddy action movies have been around for decades, the sisterhood action drama has only just started to become a mini-subgenre over the last few years. Ghostbusters (2016), Charlie’s Angels (2019) and Birds of Prey (2020) all mixed quips, actions, and feminist empowerment in varying degrees. None of them exactly took off, but that didn’t stop The 355 from trying again. Writer/director Simon Kinberg (Dark Phoenix) tries the formula with dour earnestness dialed up and political subtext dialed down. The result is unfortunately not very memorable.

CIA agent Mace Brown (Jessica Chastain) and her partner/love interest Nick (Sebastian Stan) are ordered to retrieve a magical computer drive that can hack into any system, causing planes to crash, cities' power grids to go offline, and various terrorists to salivate. The CIA’s efforts are complicated by German agent Marie Schmidt (Diane Kruger). With the mission going off the rails, Mace pulls old friend and computer wizard Khadijah (Lupita Nyong’o) out of retirement. Along the way, they also encounter Colombian psychologist Graciela (Penélope Cruz) and Chinese villain and/or agent Lin Mi Sheng (Fan Bingbing).

The 355
Courtesy of Universal

The plot is, as you’d expect of a spy drama, exceedingly twisty. There are numerous betrayals, double-crosses, shocking reveals, and reassessments of allegiances. Kinberg loves false endings, and the first couple of fake-out denouements are genuinely clever. By the fourth one, though, it starts to feel like a gimmick.

Having a gimmicky plot wouldn’t necessarily be terrible if this were a fun, lighthearted romp, a la the Roger Moore era James Bonds. But Kinberg is going more for Daniel Craig. There are a lot of wounded loners and traumatic backstories blasting their way through the narrative, and some incongruously gratuitous murders. The film tries to up emotional stakes through sheer ruthlessness. But killing people off indiscriminately doesn’t necessarily make us care about them.

On the contrary, the piling of even upon event and character upon character makes it difficult to connect with any of the protagonists—an impressive feat when you’re dealing with such charismatic actors. Nyong-o’s relationship with her sweet, worried civilian boyfriend is adorable, but it’s only onscreen for a few minutes total. Cruz has a fun scene where she switches from nervous housewife to smoking temptress and back, but again it's brief and not repeated.

Mace and Marie are supposed to be the isolated assassin badasses who come to trust each other. They aren’t individually differentiated enough to really make that buddy tension spark, though, and so much else is happening that what seems like it should be the essential emotional arc of the film doesn’t quite arc. It more flops.

the 355 penelope cruz edgar ramirez
Courtesy of Universal

All can be forgiven in an action movie if the action is great. Alas, once more The 355 is nothing special in this regard. There are the requisite martial arts fisticuffs, gun battles, and car chases in various exotic locales, from a Shanghai auction to a Middle Eastern street bazaar. It all falls into that loud but unsatisfying middle-ground between Jackie Chan over-the-top preposterous invention and Atomic Blonde visceral grit. The movie fulfills the genre requirements adequately, and if you’re a fan of those genre requirements you won’t be disappointed. You probably won’t be too excited either though.

Any women-team-up action movie is going to have political implications given the longstanding maleness of the genre and the relationship between sisterhood and feminist resistance. Charlie’s Angels and Ghostbusters embraced the “overthrow the patriarchy!” messaging, and as a result received a lot of backlash from the usual tedious patriarchy defenders.  The 355 is less forthright in its messaging. It’s only at the very end that it explicitly suggests that men can get away with murder because they’re men, or that the women are fighting for gendered empowerment in addition to battling to save the world. Saving those themes till so late means they seem tacked on and don’t provide the film with the energy or purpose it lacks in other regards.

Popular success is hard to predict, and maybe The 355 will capture audience imaginations and set Kinberg up for the sequel he very obviously wants to shoot. More likely, though, this is going to be another sisterhood action box office dud. That’s really unfortunate, because the idea is sound. If men can bond while blowing things up, why not women? Hopefully, the right vehicle will come along and establish the burgeoning genre as a force. I don’t think this is the one, though.

The  355 is in theaters on January 7th. 

This post was produced and syndicated by Wealth of Geeks.

The 355


Popular success is hard to predict, and maybe The 355 will capture audience imaginations and set Kinberg up for the sequel he very obviously wants to shoot. More likely, though, this is going to be another sisterhood action box office dud.

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Noah Berlatsky is a freelance writer based in Chicago. His book, Wonder Woman: Bondage and Feminism in the Marston/Peter Comics was published by Rutgers University Press. He thinks the Adam West Batman is the best Batman, darn it.