Tate McRae traded stagewear for a softer kind of drama at Schiaparelli, arriving at the fashion house’s Spring/Summer 2027 show in Paris in a sweeping champagne-toned satin look.
The 23-year-old singer attended the October 1 presentation in a deeply plunging blazer paired with a matching floor-length slip skirt. Her hair was worn long and loose, while the styling remained relatively spare, allowing the reflective fabric and dramatic neckline to carry most of the look.
CNN Style identified the outfit as a champagne blazer and coordinating slip skirt, clearing up a detail that was easy to miss from photographs because the uninterrupted satin silhouette could initially read as a gown. McRae joined other music figures at the Schiaparelli presentation, including Peggy Gou and JT.
The front-row appearance came during an unusually significant day for McRae away from the concert stage. October 1 also marked the official launch of TATE 01, her debut fragrance and first major move into the beauty business, putting a new entrepreneurial project alongside one of her most prominent Paris Fashion Week appearances.
McRae’s Schiaparelli Look Was a Two-Piece, Not a Gown
From a distance, the fluid line of McRae’s outfit made the satin ensemble resemble a single dress. CNN Style’s Paris Fashion Week coverage, however, described it as a plunging champagne blazer worn with a matching slip skirt.
The floor-length skirt moved loosely around her as she walked toward the venue, creating a contrast with the more structured shape of the plunging top.
McRae kept the rest of the look restrained, wearing her hair down rather than introducing another major styling element that would compete with the shine and movement of the fabric.
Schiaparelli Built an After-Dark World Beneath the Louvre
McRae’s understated satin look arrived against a considerably more theatrical backdrop. Daniel Roseberry staged Schiaparelli’s Spring/Summer 2027 ready-to-wear show at the Carrousel du Louvre, where Vogue reported that chairs and small tables surrounded a winding runway beneath chandeliers, giving the room the atmosphere of a nightclub after dark.
A 1962 recording of Barbra Streisand performing “Cry Me a River” played as the show began. In Schiaparelli’s official notes for the collection, Roseberry described Streisand’s voice from that period as an example of something that could feel immediate and timeless at once.
He titled the collection Going Clear, describing the idea as an attempt to step away from the fashion industry’s pursuit of status, gossip and social-media approval. Vogue reported that Roseberry was particularly interested in developing Schiaparelli separates and revisiting the house’s jacket tradition.
McRae Launched TATE 01 on the Same Day
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On October 1, she officially released TATE 01, her debut fragrance, developed with Scent Beauty and Givaudan master perfumers Adriana Medina and Antoine Maisondieu.
McRae told PEOPLE that she had wanted to create a business of her own and had already been wearing the fragrance exclusively for roughly a year before releasing it. She described the goal as developing something timeless rather than a product she would quickly move past.
The fragrance opens with bergamot and clary sage before moving into white florals and a warmer base built around amber, tonka bean, sandalwood and soft woods. The formula also incorporates Iso E Super, an aroma molecule used to create a scent that changes subtly with the wearer’s skin chemistry.
The launch also gives McRae a platform beyond a single perfume. ELLE described TATE 01 as her first entry into beauty, while McRae told the magazine that the fragrance is connected to the character and visual world she is developing for what comes next.
TATE 01 debuted online on October 1 in several sizes priced from $30 to $82. PEOPLE reported that the fragrance will expand into Ulta Beauty stores beginning October 25.